X Files Red Museum Stevie
• • The Red Museum by Sarah Stegall Copyright ©1994 by Sarah Stegall Writer: Chris Carter Director: Win Phelps Watching “The X-Files” is sometimes like watching a horror movie through your hands–you get a shocking, teasing glimpse now and then of something both fascinating and repulsive lurking just below the surface. The story is sometimes in the images, in brief glimpses of a reality beyond the mundane, a peek into terror. Friday’s episode, “The Red Museum” is classic Chris Carter–no one is who he seems to be.
X Files Red Museum Stevie Ray Vaughan
The mythology of The X-Files, sometimes referred to as its 'mytharc' by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder (David Duchovny), a believer in supernatural phenomena, and Dana Scully (Gillian Anderson), his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Watch The X-Files - Season 2, Episode 10 - Red Museum: While investigating the connection between the abduction of several teenagers and a rural religious cult, Mulder & Scull.
X Files Red Museum Stevie Ryan
The robot-like cultists of the “Red Museum” are not Branch Davidian wannabes, but mild mannered, even charitable people. The “normal” mid-westerners of the town are in fact prone to violence, rape, and child molestation. The trusted country doctor is a cold-hearted Dr. Mengele conducting secret experiments on children for money. And of course, we have the topical, up-to-the-moment link to this morning’s headlines: in this case it is the controversy over bovine somatotrophic hormone, the artificial steroid which has led to labelling fights among farmers, consumers and the FDA.
Scully and Mulder travel to a small Wisconsin town to investigate a series of bizarre kidnapings, which Mulder believes are linked to UFO abductions. Children and teenagers are being abducted and terrorized so badly they have to be sedated.
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The only unusual thing about the town is the presence in their midst of a sect of militant vegetarians, whose leader (Mark Rolston) purports to “channel” messages about the end of the world. Mulder recognizes the pattern of possession: a spirit from another world enters a human being and takes him over. Perhaps that is what happened to the kids in the woods?
Unfortunately as it turns out, there is less here than meets the eye. What role is played by the red-turban brigade?
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Are the kidnapings linked to the doctor’s plane crash? Why are the men inoculating cattle being systematically murdered? We never find out. There are an unusual number of red herrings here: the hallucinogenic sequences in the woods, the peeping tom, the cultists themselves.
One gets the feeling this was several stories stirred into one pot, or half of a truncated story (the crossover to “Picket Fences”, no doubt). Having said all that, there are many rewards to “Red Museum”. Its tone is one of quiet, building menace.
Elliptical sequences such as the young girl’s hallucinogenic episode in the woods add to the paranoia and tension. 
The visuals are powerful: red turbans and white robes are a visually exciting yet disturbing combination. Frightening, mythic symbols confront us, simple yet distressing: blood, meat, ravens, trees, darkness, lost dogs, crying children, cockroaches. This is the sort of subliminal storytelling television can do best. It is an intimate medium which reaches right into our homes and invades our dreams with unshakable images.