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Lindsay Ell, Kristian Bush on How John Mayer Influenced Ell's New EP March 27, 2017 Before she could get down to the business of working on a record, singer-guitarist Lindsay Ell was given an odd assignment and a set of rules by her new producer, Kristian Bush. The Sugarland co-founder instructed the Alberta, Canada, native to isolate herself and re-record her favorite album on her own, as an exercise in understanding how the songs work and what elements she preferred to hear in a production. The album she chose was John Mayer's Continuum, and the process proved to be just the lesson she needed to complete her own project on her own terms. 'On my iTunes playlist, it is like at the top of that flippin' list,' Ell says of Mayer's 2006 LP.
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'But I learned so much about that record, dissecting Pino Palladino bass parts and I'm like, 'Oh, that's what it does.' And it's different when you need to record something compared to when you're just listening to it.' Ell's debut EP Worth the Wait was released via Stoney Creek Records on March 24th, following a series of standalone singles like 'Trippin' on Us' and 'Shut Me Up' that barely missed the Top 40 in the U.S. The six-song collection stretches her sonic boundaries, building on the guitar-driven country-pop of her earlier work with newfound vulnerability and confidence. With fuller productions like 'Waiting on You' and 'Criminal,' she recalls the tough, hook-filled early work of Sheryl Crow, while the aching ballad 'Space' refocuses attention on her voice with a raw, emotional performance. The EP's title track and a choice Mayer cover offer something totally different – gorgeous, delicate renderings of songs as Ell imagined them through her solo experimentation.