Click to expand.Maiden Voyage, is kind of a weird one. Im not sure what it is with the 33 that attracts me more than the 45.

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The 45 has all the attributes I mentioned earlier. Yet, I prefer the 33 at times due to the more focused etched presentation. It seems clearer.

Many have suggested that they also found a better source for the 33. I havent read anything official on this. Perhaps they did. While Speak No Evil is an obvious choice in choosing the 33 over the 45, Maiden might lean more towards personal preference.

More clarity but not as organic sounding as the 45. Download free foot hill stomp richard johnston rar software free online. The clearer sq seems to make me forget about the fairly aggresive sound quality of the 33. And the nature of the album also seems to be more forgiving of the 33s mastering. As far as Speak No Evil. The 33 wins simply because of source improvement. As far as the 45s vs 33s, some of us had long drawn out discussions regarding this.

While opinions do vary, I am of the opinion that the mastering style used on the 33's are not as smooth and organic as the 45s. I dont believe that the way the 33s sound can be totally attributed to cable upgrades/equipment. I believe that MM changed its philosophy on how they wanted these to sound. More a sound of the old BN sound combined with modern audiophile characteristics. Do I think the 33s sound bad? No, they sound very good. But I think the 45s are more realistic and have the 'you are in the studio' sound, where as the 33s are more in your face.

Could I live with the 33s if no 45s existed. Oh yeah, more than live with them.

In fact, I have a few. Why, since I prefer the sound of the 45s, do I have a few 33s? Well, because they are still the best sound 33s out there and its nice to not have to turn them over every ten minutes. If somehow I could combine the mastering and sq of the 45s with the 33 format, now that would be heaven. Acer travelmate p653 drivers.

If you are opposed to the inconvenience of the 45 format, then by all means purchase the 33s. Again, they sound very good. But my preference for mastering is what was done on the 45s. Click to expand.While I agree that equipment differences play a part to a degree; I think the mastering differences in the 45 vs 33 are very evident and in stark contrast of each other.

If I have a system that is on the darker/tubier side then it may tame the 33s. But if I had been listening to the 45 on the same system which may color the sound in more lush way than a brighter system then it wont all of the sudden make the 33 sound great. I will still notice the differences relatively speaking. The 33 will still sound more aggresive than the 45. Whether the system leans towards the solid state with brighter characteristics or a tube system with the lovely distortion many like, there will still be a difference in the 45s vs 33s. Let me restate, I dont think the 33s sound bad. I think they sound better than the originals.

Hank Mobley Remember

However, I prefer the 45s for the more realistic, full, organic, you are in the studio sound. As I've said before, I think there was a change in mastering approach, but I think it happened more gradually along the way, and is not purely a result of moving to the 33 rpm format. I think the change in mastering personnel and the move from Acoustech to Cohearent were far more significant. That's not just a change in cables--it's a different mastering chain, including the electronics used. When people compare the 33 to the 45 of the same title, most of the time they're drawing a comparison to a 45 that was mastered before those changes took place. There are only three titles that were mastered at 45 after the move to Cohearent and the change in personnel and then redone on 33: Empyrean Isles, Our Man in Paris, and Speak No Evil.